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There Will Come Soft Rains
Marcela Armas, Hicham Berrada, Carolina Caycedo, Julian Charrière, Andreas Greiner & Tyler Friedman, Galina Leonova, Uriel Orlow, Mario Pfeifer , Superflex, Jeronimo Voss, Pinar Yoldas
16.02.2018 to 15.04.2018

opening

Thursday, 15.02.2018 - 7:00 pm

opening hours

tuesday - friday
11.00 - 19.00

saturday, sunday
12.00 - 18.00

location

basis e.V. Gutleutstraße 8-12 60329 Frankfurt am Main

We are delighted to be presenting the group exhibition There Will Come Soft Rains from February 16 to April 15, 2018. The opening is on February 15, 2018 at 7 pm.

For modern man, experiencing certain scenarios often turns out to be an effective way of opening up new perspectives on ourselves and the world around us. Bearing this in mind, the exhibition There Will Come Soft Rains tests a particular experiential context by initiating a fictitious journey through time. To this end, a group of international artists remove themselves to the year 2318, where they find themselves in a new kind of world, one without the human species.

Taking this fictitious leap in time as their starting point, artists Marcela Armas, Carolina Caycedo, Julian Charrière, Andreas Greiner & Tyler Friedman, Jeronimo Voss and Pinar Yoldas are invited to investigate the characteristics of a non-human world through a range of newly conceived installations, videos and objects. The exhibition also includes a separate projection room featuring filmic works by Hicham Berrada, Galina Leonova, Uriel Orlow, Mario Pfeifer and Superflex. The program of films looks, in an associative way, at the dystopic potential of the present day inherent in current developments in the fields of ecology, society and politics. The presented films explore possible reasons behind a future disappearance of humankind.

In the exhibition, basic questions about the way we treat our environment, the relationship between art, science and late-capitalist man’s self-image form recurring themes of the different artists’ investigations. At the same time, by speculatively and poetically taking existing developments to a next level, the various works also look at the deeper implications that connect the future with the present. They thus conjecture about both the positive and the negative associations of a possible depopulated world.

The current speculation about hybrids and virtual extensions is a continuation, in a new guise, of the anthropocentrism of the past. With the scenario of a non-human world There Will Come Soft Rains aims to look beyond this attitude. At the same time the concept thus becomes an open reflection on forms of coexistence far removed from human dominance. But what kind of alternative thinking about a future world can be initiated by the negation of the human perspective? And are new structures and symbioses imaginable in this world, the kind of positive links that serve to widen the current individual’s horizons?

A blog to accompany the project and a multilayered communication program allow for a continuative discussion of the exhibition’s central questions with the participation of international experts. Alongside performances and workshops, the accompanying program also includes a series of lectures. Moreover, the project will be continuing in 2019 in cooperation with Musée d’art de Pully in Lausanne, Switzerland.

Curated by Stefan Vicedom (DE) and Bernard Vienat (CH)

With the support of